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Photo by Aaron Wojack

INTERVIEWS + ARTICLES
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Catching up with Sarah Lipstate - EVP Zine

Noveller Feature
- Foxy Digitalis

Before Jesus
- NY Press

Noveller at Death By Audio's Maze
-The Onion A.V. Club

Interview with Noveller - Sequenza21

Top Live Show - Concert Preview
- Time Out NY

Celebrating the Beatles: Noveller on the White Album - Time Out NY

Bothering: Sarah Lipstate of Noveller
- Impose Magazine

Interview with Sarah Lipstate - Tom Tom Magazine

It has Melody, Chords, and a Structure
- Hair Entertainment (Berlin)

X-Rayted: Sarah Lipstate as Doctor Doom - Maggie Serota, NY Press

Women of NY Cinema - Leo Goldsmith (notcoming.com)

In Steroscope - Austin Chronicle

After the Jump Fest interview - Poptarts suck toasted

Women Tack Back the Noise - NERO (Italy)

In Conversation with Noveller
- Setting Sun UK


CD/ LP REVIEWS
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Colourful Disturbances LP
- Weird Canada

Colourful Disturbances LP - Textura

Colourful Disturbances LP - Aqaurius Records

Colourful Disturbances LP - Electronic Voice Phenomenon

Disc of the Week - Colourful Disturbances LP
- Montreal Mirror

Exceptional new release - Red Rainbows CD - Killed in Cars

Eureka! - Red Rainbows CD - Tiny Mix Tapes

Red Rainbows CD
- Junkmedia

Red Rainbows CD
- Joaquin The Cow

Red Rainbows CD - Kathodik (Italy)

Red Rainbows CD - One True Dead Angel

Red Rainbows CD - The Sound Projector

"Brilliant Colors" track review - Houston Press

"Rainbows" track review
- The Needle Drop

Red Rainbows CD - Electronic Voice Phenomenon

Red Rainbows CD - Cheap Anime Cosplay Costumes Boomkat

Red Rainbows CD/ Paint on the Shadows LP
- Visitation Rites

Red Rainbows CD/ Paint on the Shadows LP - Mimaroglu Music

Paint on the Shadows LP - The Sound Projector

Paint on the Shadows LP - The Fader.com

Paint on the Shadows LP (No Fun Productions)- Aquarius Records

"Noveller is the working name for avant-drone guitarist / filmmaker Sarah Lipstate. Having graduated from the legion sized guitar symphonies of both Glenn Branca and Rhys Chatham, Lipstate produced a couple of cd-rs, a cassette, and some tracks for some compilations. She's also been moonlighting as the guitarist for Parts & Labor, but it's this album that caught our attention. Recorded for the increasingly confounding label No Fun (less aggro noise these days and more occluded psychedelic dronemusik), Paint On The Shadows begins with a liltingly pretty, side-long construction of intertwining guitar loops and elliptical fingerpicked patterns that conjures all of the best that Grouper and Colleen had managed through their loopstation laboratories. All of these sounds blossom out of a harmonic bed of bowed guitar drones; and steady low end thrums sublimate into richly plucked chiming notes that could even double for Jozef Van Wissem. The flipside offers up two pieces which seem to reflect her live presentations, with ebows, motors, and hand-held tape decks driving the strings and pick-ups from her double necked guitar. With precise placements of the ebows and some choice tremolo effects, Lipstate generates phasing tones often heard in the cosmic explorations of Eno & Fripp's No Pussyfooting or certainly not that far from Emeralds. Another one of those hyper-limited lp pressings from No Fun. Just 300 were made, and don't expect these to last very long! "


TAPE REVIEWS
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This Heat Will Melt The Earth (Baked Tapes) cassette - Dracula Trap

"Noveller is the sonic personification of rolling waves, brush fires and distant bird songs. All of which are accomplished by the contrast of distant chiming bells, primal singing and brick walls of feedback. "This Heat Will Melt The Earth" begins with a subtle lyrical beauty that lies in stark contrast with the grimy sound masses that follow. This release covers more ground than most noisicians would dare to try. This full spectrum of expression is why Noveller, aka Sarah Lipstate, stands out from the bulk of noisicians. As a whole this release makes one coherent thought which is equally effect as it's five constituent parts."

CD REVIEWS
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Vasovagal 3"CDr (2005) - DEAD ANGEL

"This wee li'l three-inch cd-r is the work of Sarah Lipstate, who shapes two-to-three minute bursts of noise from voice, theremin, field recordings, banjo (?!?!), and effects. The effects are the most obvious -- there's plenty of processed electronic frippery on the seven tracks here -- but the sound is less about all-out carnage and destruction than it is about stacking up blocks of sound and texture that work well together. The strategies she employs on this disc are far removed from the usual blinding wall-of-death power electronics one might expect from the artwork and the label; this is more like glitch electronica fed through heavy reverb abuse. The tracks generally have a bedrock, core noise going on, over which other sounds drift in and out (or occasionally just bulldoze through). Some tracks like "Shok" may make you think your cd player is on the fritz, though. I like the use of field recordings to add ambience and quiet moments amid the crunchy bursts of antimusic and noisy earhurt. Watch out for the sixth track "Langis," however -- that one is WAY beyond out of control, and about twice as loud as the rest of the disc. Swell experiments in sonic abstraction and (at times) pure ass-quaking noise hell. Limited to thirty copies."

 

 

 

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